Aunt Joyce's Afghans

Her hands were always in motion as she sat on the sofa across from us, looping yarns over a crochet hook and pulling the strand or strands through other loops, and so on, and so on. Her daily masterpieces always lay across her lap, as she added rows to them, chatting at the same time.

Aunt Joyce was a multitasker. She could crochet half of a large afghan in an afternoon while watching television and carrying on a casual conversation. Crocheting was one of her things.

I think everyone in the Jarriel family has at least one afghan Joyce crocheted for them. I’m special. I have four. She made the first one for me in 1990, the year I married. It’s a large off-white afghan showcasing an exquisite seashell design. After my husband and I married, it occupied the backside of a big cozy chair in the great room of our first home. I curled up in the warmth of Aunt Joyce’s afghan on many nights as I watched television or read a book.

One of four afghans Aunt Joyce made specially for me. 

One of four afghans Aunt Joyce made specially for me. 

In 1991, she sent me a pastel pink baby afghan—a hint, I guess. I put it away in my cedar chest. Two years later, she made another one for me. This time, the baby-sized afghan was mint green. A year after that, she made me another pink one. Our babies never came, and so Joyce’s tiny afghans stayed hidden in the darkness of the cedar chest until last year after she died. I pulled them out one by one and looked at them.

I’m sure I thanked her for them, or did I? Surely she knew how much I appreciated everything she made for me, gave to me, said to me . . . Surely she knew.

Born in 1928, Joyce Valentine Jarriel was my mother’s oldest sister.

“She was almost ten years older than me, so she was already grown and living away from home through most of my childhood,” Mom remembers. “She’d always bring us a little something when she came home. She made me and Gloria dresses sometimes.”

She stood tall at 5’11” and had bright blue eyes and golden blonde locks. Lee Roy Anderson of Reidsville eventually won her heart. They married in 1946 and had four children (Dawn, Pam, Roy, and Yancey) before I ever came along.

She and Uncle Lee Roy ran a furniture business from a store behind their Richmond Hill house. Along with furniture, they also sold knick knacks and housewares.

One year, she gave me solid oak stool with a slit cut into the top that could be used as a handle. Another year, she sent me a little saucepan with a note that read, “This is good cookware. You’ll have this little pot forever.”

It has simmered gallons of gravy and boiled hundreds of eggs through the years.

Her gifts were practical and meant to last. So were her conversations.

She called me in 2009 after my father-in-law, George, died.

“Hey Honey. I was going to send you and Gene a sympathy card, but I decided not to,” she said. “All of those sympathy cards are just too damned sad, you know? They all talk about death and resting in peace and loss. You start feeling a little better, then you get a sympathy card in the mail, and you get sad all over again, so I decided not to send one.”

She was right, you know. Sympathy cards are really sad.

“I want to tell you something,” she continued, her words flowing like water. “I’ve always loved you, you know, since you were a little girl. And I love Gene, too.”

“Now, you and Gene did a lot for his daddy, and that’s important. I know how hard it is to take care of someone—especially a parent. You did all you could for him. Gene was a good son to him, and you were a good daughter-in-law, and that’s that. He couldn’t have asked for more.”

“How’s his mama?” she asked, and then we talked about Gene’s mother for a few minutes before she ended the conversation by asking us to come see her soon.

Her phone call made me feel better.

The last time I saw Joyce was in 2015. Mom, my stepfather, Gene, and I drove to Richmond Hill to visit her, stopping in Pembroke to buy a big carrot cake with icing so sweet that the first bite broke me out into a sweat. We sat at her kitchen table and talked for an hour. She told us a story from her past about a gas station down the road from her that had a big billboard on the highway that read, “Gas, Monkeys, and Beer.” At some point, some of the monkeys escaped, but no one knew.

Mom and I with Aunt Joyce in 2015 in her Richmond Hill home.

Mom and I with Aunt Joyce in 2015 in her Richmond Hill home.

“Yancey ran inside one afternoon yelling that there was a monkey swingin’ around outside, and I told him to shut up and stop lying, or I was going to spank him,” she said. “He convinced me to step out on the porch, and there it was—sitting in a tree. I couldn’t believe it.”

We laughed and laughed, but then it was time for us to head home.

“Please don’t go,” she said.

Her faded blue eyes welled up with tears, and she clutched my arm.

“Stay for a while longer, or . . . take me with you.”

I felt the power of loneliness in her pleas. Walking out of her house and driving away that day was one of the hardest things I’ve ever done.

Those afghans mean the world to me now. They envelop me in love. And she was right—that little pot’s going to last forever. So will my memories of Aunt Joyce.

 


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Margaret's Collection

I ripped the strapping tape from the boxes and dove in, removing tissue paper puffs and carefully unwrapping dozens of packed pieces. It was a trip down memory lane. With delicate "clinks," I placed each demitasse on the island in the kitchen and attempted to identify matching saucers. 

Margaret Nagle's demitasse collection—a few of her keepsakes.

Margaret Nagle's demitasse collection—a few of her keepsakes.

"I remember this one," I said, directing my comment to my husband. "We bought this one for her when we were over in Luxembourg."

He shrugged his shoulders admitting he remembered his mother's collection, but not the individual pieces.

"And I think they bought this one at an antique store in Macon on the weekend we got married," I remarked, holding up another one in scrutiny. "Remember?"

We turned each cup and saucer upside down and read the stamps aloud—Wedgwood, Limoges, Old Royal Bone China, Johnson Bros Old British Castle, etc. With each piece, I could see Gene's mother organizing her collection on the triangular shelves of a corner cabinet of her Chattanooga home. She had an appetite for the finer things in life.

Wedgwood Queensware from Margaret's Collection.

Wedgwood Queensware from Margaret's Collection.

In a much larger china cabinet, Margaret showcased a Wedgwood collection that would make an antiques dealer salivate.

"This is Wedgwood Queensware," she said to me one day running her fingers over the raised, white embossed grape leaves that lined the edge of a blue-lavender plate. "They call this piece a pedestal compote dish. We bought these two dishes at an estate sale on Lookout Mountain."

Assorted pieces from Margaret's Wedgwood Jasperware collection.

Assorted pieces from Margaret's Wedgwood Jasperware collection.

She shifted her attention to another shelf in the cabinet. "The pieces with the chalky surfaces are also Wedgwood, but these are Jasperware," she added, hoping that I would take more than a passive interest in her collection.

Like a child in a candy store, I admired the pieces from behind the glass, scared I would damage one of the dainty trinket boxes, miniature cream pitchers, or urns if I dared touch them. We often purchased a decorative plate or vase for Margaret for her birthday or Christmas, so I knew how expensive the items were. 

She collected demitasses, Wedgwood, vintage silverware, and Pigeon Forge pottery until her accident—that's the moment when everything changed. She didn't get out much after that. We witnessed her physical and mental decline.

When Gene's dad died in 2009, Margaret moved to a nearby assisted living facility. We packed up the house and brought many of the boxes of collectibles to our home. They slumbered in the darkness of our basement for six years without anyone picking them up and talking about their beauty, histories, or origins.

But I woke them up last week. I plucked dozens of Margaret's collectibles from the boxes and wiped the dust from the surfaces. I photographed each one and began placing the items up for sale on eBay. The task made us a bit somber, but we'd much rather the pieces go to people who love them as much as Margaret did than continue to collect dust and cobwebs in storage.

We will keep a few select pieces and display them in our dining room—a shrine to a woman we miss so much.

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FREE Shipping and Handling. Project Keepsake is a collection of 55 nonfiction stories about the origins, histories, and memories behind keepsakes—a pocketknife, a cake pan, a ring, a Bible, a hat, a wallet, etc. The last chapter guides readers through the process of writing keepsake stories. 

And so I've been thinking a lot about Margaret this week and remembering the times we shared. I can see her sitting on the end of the sofa with a book in one hand and a leg folded underneath her. I've caught myself humming "Chattanooga Choo Choo" and "In the Mood," because she loved Big Band music so much, almost as much as she loved opera and Jose Carreras. I've thought about the days following her mastectomy—how she lifted her shirt and showed me her scar saying, "I want you to know what it's like." I've thought about her holding her beloved Cairn Terrier, Killer, and changing her voice like a ventriloquist, as if he was talking to us. I remembered how she cackled the day she showed us a fake tattoo she'd stenciled on her arm.

But I keep going back to her last few days in this world, as we sat by her bed and sang to her and talked to her—her eyes closed tightly and her breathing growing more and more labored.

"Open a window," one of the Hospice nurses suggested. "Let her soul fly away."

It flew away in the night time. 

Her collection brought her great happiness. Each piece held a memory.

Margaret brought me great happiness—each moment part of my memory now.

A Wedding Gown and a Poker Charm—Celebrity Keepsakes

These days, I’m fondly called the “Keepsake Lady," a term I embrace. After all, since Project Keepsake was published earlier this year, readers call me and send emails telling me about their beloved keepsakes. I love the stories people share with me—I really do. Each story is unique, yet each reveals common threads that connect us all.

So as the Keepsake Lady, I’ve assumed the responsibility of making sure readers don’t miss stories about keepsakes. There were at least two references to celebrity keepsakes last week—one in the mainstream media news and the other in the not-so-mainstream world of podcasts.

Angelina Jolie's wedding gown was covered with her children's artwork and now it's a keepsake.

Angelina Jolie's wedding gown was covered with her children's artwork and now it's a keepsake.

I’ll start with Angelina Jolie’s wedding gown. Did you see the photos? Angelina’s ivory Versace wedding dress was embellished with whimsical doodles of people, flowers, bikes, teddy bears, airplanes, and made-up words. The colorful, graffiti-like drawings, created by Jolie and Pitt's six children, were professionally embroidered onto her gown and veil.

Jolie told Hello! Magazine, "I wanted the kids to be a part of everything, including the dress, because that's our family. That represents the way we live our life together."

I usually roll my eyes at wacky pop culture stories, but the story of Jolie’s dress made me smile in the middle of a week brimming with the horrors of ISIS beheadings, the Syrian slaughterhouse, Putin’s power play, and ebola ripping across West Africa.

I think that all wedding dresses are destined to become keepsakes to the brides who wear them, but Jolie’s wedding frock will be a priceless family keepsake, forever. Her kids’ love, creativity, and handiwork are all over the gown, and their doodles add meaning to both the dress and the occasion.

The day after I saw the photos of Jolie’s doodle dress, I downloaded a few episodes of The Moth podcast (www.themoth.org) and went out for a morning run. As my feet pounded the pavement, I listened to professional poker player, Annie Duke, tell an inspirational story in front of a live, Las Vegas audience. In “The Big Things You Don’t Do,” Duke chronicles what it was like to play in the most high-stakes poker game of her life—the $ 2 million, winner-take-all, 2004 Tournament of Champions. She won, by the way.

In the podcast, she talks about playing at a table against nine of the best poker players in the world and wondering if she had been asked to compete because of her gender, and not her skill. She reveals that one of the poker players said something to her during a break that robbed her of her confidence. And she mentions poker player, Greg “Fossil Man” Raymer.

Professional poker player, Greg "Fossil Man" Raymer, uses polished fossil slices as card protectors. He gave one of his poker charms to Annie Duke after she knocked him out of a 2004 poker tournament. 

Professional poker player, Greg "Fossil Man" Raymer, uses polished fossil slices as card protectors. He gave one of his poker charms to Annie Duke after she knocked him out of a 2004 poker tournament. 

Well, I don’t watch television poker, even though my father loved poker more than anyone on God’s green earth, but I read a lot. I am familiar with Annie Duke, but I had never heard of Greg “Fossil Man” Raymer prior to listening to her story. Duke explains that Raymer uses fossil charms as card protectors, and he gifts his fossils to poker players who knock him out of tournaments. Duke knocked “Fossil Man” out of the 2004 tournament, and he walked around the table, handed her a fossil, and whispered something to her that revived her confidence. It was a signature moment for her.

I bet Annie Duke still has that fossil. I’m sure that her winning the tournament transformed the little polished relic into a priceless keepsake—a reminder of an event she'll never forget. Indeed, her fossil keepsake will forever be part of the story now.

Everyone—even celebrities—has a keepsake, and every keepsake has a story to tell.

We keep things so we will remember, but somewhere along the way, our keepsakes take on lives of their own and define where we came from, what matters to us, and perhaps most of all, who we are. Jolie's wedding dress and Duke's card protector tell us a little bit about who they are.

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Cooking-Related Keepsakes and Karen Phillips' Pie Plate

When I started asking people about their keepsakes a few years ago, I learned so many of us women treasure items that had previous lives in the kitchens of our mothers, grandmothers, and great-grandmothers. We hold onto cooking-related heirlooms like rolling pins, pans, cutting boards, and aprons. I'm not surprised. After all, some of my most beloved memories emanate from my grandmothers' old country kitchens. In the South, food and heaps of home cooking equal love, and both of my grandmothers loved everybody who stopped by their houses.

This is a bowl I took as a keepsake from my Grandmother Lanier's kitchen after she died. In its heyday, I'm sure it held millions of peas and butter beans. And I love to think about all of the hands that touched it as they passed it around the table…

This is a bowl I took as a keepsake from my Grandmother Lanier's kitchen after she died. In its heyday, I'm sure it held millions of peas and butter beans. And I love to think about all of the hands that touched it as they passed it around the table, spooning vegetables onto their plates. It's cracked and stained but still has great value to me. I loved those people, and I carry a million memories of them around with me each day.

I can still hear their voices saying, "Have some more. There's plenty." I can still see the tables jammed full of platters and bowls of fresh, Southern delicacies. Much of the food was fried— plucked piping hot from the grease of a black iron skillet.

I have a cracked serving bowl that once graced my Grandmother Lanier's kitchen table. Tiny lady peas, brown field peas, and butter beans swimming in a shimmery broth were staples at Grandmother's house, so I feel certain that the little bowl held millions of peas and beans in its lifetime. I wonder how many times it was passed around the table. I think about my Papa Lanier's hands cradling it as he dipped peas onto his plate. After Grandmother died and her house outside of Metter was abandoned, I found the bowl pushed far back in a dark cabinet as if it didn't have any value. To me, it was priceless. I saved it that day.

Karen Phillips has a few cooking-related, kitchen-related keepsakes, too.  She wrote a keepsake story about her grandmother's pie plate. Karen infused her story with great imagery like "a kitchen forever filled with the fragrance of love" and the "glorious fluff of her mashed potatoes." And I love the fact that Karen started her story making a pie from her grandmother's hand-scribed recipe.

Karen Phillips wrote a story about her grandmother's pie plate—a beautiful tribute to "Ma." I love the yellowy glass of yesteryear. Her story begins on page 128 of Project Keepsake.

Karen Phillips wrote a story about her grandmother's pie plate—a beautiful tribute to "Ma." I love the yellowy glass of yesteryear. Her story begins on page 128 of Project Keepsake.

Like so many of the book's story contributors, I met Karen through the Chattanooga Writers' Guild, a wonderful, nurturing group of writers who inspire me every day. Karen has participated in a few Project Keepsake events in Northwest Georgia. I'm always happy to see her face in the audience, and I love to hear her read her story. She is one of the kindest people I have ever met.

Karen's story starts on page 128 of Project Keepsake. Thank you, Karen!

As I topped the lemon meringue pie for my mother’s eightieth birthday, my eyes caught on the fluted-handled edge of the glass pie plate. It came from my late grandmother Ma’s kitchen, forever filled with the fragrance of love. Before my mother made it, Ma had created this same pie, and it was her worn recipe in her own handwriting I followed.

The same glass dish had nestled chocolate pie, coconut cream pie, and steaming apple pie. The dish filled my brain with a hundred other aromas—spaghetti, mashed potatoes, candied yams, divinity candy, and spice cake with caramel icing, to name a few. The tangy smell of lemons wafted through my kitchen and carried me back to the small white frame house on Prater Road.

From my earliest memories, I associate Ma with food. In those days, it was a mom’s or grandmother’s best way to communicate love for her family. Though her kitchen was tiny, my brother and I loved to breakfast at the small table, which now serves as a desk in my own kitchen. Nestled in the rear corner of the house, the kitchen boasted two windows allowing sunlight to stream in and make a small space cheery. Ma made homemade biscuits, golden brown with fluffy middles, for us to heap with her milk gravy made from bacon drippings or to butter and slather with honey or red plum jam.

Family gatherings or messy recipes called for an apron, because in Ma’s day, ladies did not wear anything as tacky as sweats around the house. Ma wore aprons she stitched herself, usually from a floral print or plaid fabric dominated by her favorite color, pink. Though I never wear them, I still display two of her aprons.

Standing on a chair in Ma’s kitchen, I helped as she creamed the butter and sugar in her old Hamilton Beach mixer for a moist pound cake. I supervised while she and my granddad Grangie spooned out the divinity candy that had to be cooked on a dry day and tasted as sweet and pillowy as I imagined a cloud would.

My brother and I, spending nearly every Friday night of our childhood at Ma and Grangie’s house, thrilled when we heard and smelled the buttermilk-and-flour- dipped fried chicken sizzling behind the kitchen’s swinging door. The Colonel had nothing that compared to Ma’s fried chicken, nor did he serve those freshly snapped Kentucky Wonder beans with the October bean “shellies” that Ma simmered for hours on the stove. Oh, the glorious fluff of her mashed potatoes!

Before the time of electric ice cream freezers, Grangie hand cranked the homemade fresh strawberry ice cream that Ma whipped up with smashed fresh strawberries, milk, eggs, sugar, and vanilla. We could hardly wait for the paddle to come out to scrape it with our fingers and taste the strawberry creaminess.

Everything tasted better at Ma’s—even the store-bought foods.
— Karen Phillips from Project Keepsake

Yes, there are other cooking-related keepsakes referenced in the collection. Jean Lowrey wrote a story about a spoon her grandmother used to stir custard. Mitzi Boyd wrote a story about her Nanny's cake pan. Marcia Swearingen wrote about a big green mixing bowl she received as a wedding gift. I talked to another writer yesterday who said, "I have my mother's pickled eggs crock." And then last night, I selected a knife from my utensil drawer to slice a peach and realized that it had belonged to my father-in-law, George. He was an excellent cook and we inherited many treasures from the cabinets of his large kitchen in Chattanooga.

If you have a cooking-related or kitchen-related keepsake, please share your story with me. Leave a comment or send me a note. And as always, thank you for reading my blog and thinking about keepsakes. To read more keepsake stories, buy a copy of my book, Project Keepsake.

Presidential Keepsakes

Every Presidents Day, I remember a trip my husband and I took several years ago to the Booth Western Art Museum in Cartersville, Georgia.  We expected to see lots of western art that day, and we did, but we eventually wandered into a room full of presidential keepsakes and mementoes.  Wow!

The Carolyn and James Millar Presidential Gallery showcases an unbelievable collection of authentic, one-page, signed letters from each president alongside portraits (many by Yousuf Karsh) and interesting pieces of presidential memorabilia. We spent a lot of time in that room reading each letter and thinking about each presidential relic.

A new presidential keepsake that David Aft gave me for Christmas 2013—a sheet of old Carter campaign postcards and a campaign button.

A new presidential keepsake that David Aft gave me for Christmas 2013—a sheet of old Carter campaign postcards and a campaign button.

In Project Keepsake's introduction, I mention watching a television special years ago featuring the president and first lady touring a reporter around the White House. They paused in each room and pointed to a vase, a piece of furniture, a painting, and other keepsakes and relayed the history of each object to viewers—where the item came from, what year it was added to the White House collection, its significance, and how it became a part of America’s historical fabric. The stories behind the pieces drew me in.

And the following day, I surveyed my own home and realized that so many of my possessions had stories behind them.  I started writing about my keepsakes and telling their stories, and so Project Keepsake was born.

If you haven't visited the Booth Western Art Museum, you should. Browse the pieces in their immense western-themed art collection, take a stroll through the presidential gallery, and take a look at the keepsakes on display. You won't be disappointed. And while you are in Cartersville, indulge yourself at the Appalachian Grill next door. 

My friend, David Aft, gave me a Christmas gift a few weeks ago that is presidential in nature and destined to stay in my keepsake collection for many years to come. My close friends and family members know how much I love and admire Jimmy and Rosalyn Carter. David gave me a sheet of old Carter campaign postcards and a Carter-Mondale campaign button.  I hung the postcards in a very prominent place next to my desk. They make me smile. Thank you, David, for giving me my very own pieces of presidential memorabilia.

The Garnet Earring

Twenty-seven years ago today, my sweetheart gave me a pair of heart-shaped, garnet earrings. Gene and I had dated long-distance for about five months when Valentine’s Day rolled around, and I was especially happy—and relieved—to have someone to share the day and evening with that year.

Not to sound pathetic, but I was somewhat broken during that time. On the outside, I appeared fine, but I was empty on the inside. My longterm college boyfriend and I had ended our relationship the year before, and I was hesitant about dating again. I surrounded my heart with a fortress and wouldn’t let anyone penetrate its walls.

But Gene was persistent. He made me smile. More importantly, he made me laugh—a lot.

"A single heart-shaped, garnet earring contains so many memories and emotions." —Amber

"A single heart-shaped, garnet earring contains so many memories and emotions." —Amber

And so by Valentine’s Day in 1987, I had started to let my guard down, and he seized the moment. He drove the 105 miles in his little white Honda CRX to see me after my classes, stopping on Piedmont Avenue to buy a dozen yellow roses from one of those street vendors who walk up and down the road in the median. He gave me the bouquet followed by a tiny box containing the heart-shaped, garnet earrings—a symbol of his love.

And that was that. We continued to date and married in 1990.

The earrings were my favorite pieces of jewelry until I lost one a few years later. What can you do with one earring? Nothing. Gene rushed to the jewelry store and bought me another pair of garnet hearts, but it just wasn’t the same.

I refused to discard the lone earring—there were too many memories associated with it.

And so, I keep it in my jewelry box as a keepsake. I pick it up from time to time and remember, and smile, and thank the universe for persistence.

Happy Valentine’s Day! May your day be filled with love, kindness, and keepsakes!

Donna Sutton and Fiddle

I met Donna Sutton a few years ago while I was writing an article about trained therapy dogs and how they give young children the courage to read aloud in front of their peers.  

Donna Sutton with her fiddle.  Photo taken by Matt Baxter (Just Shoot Me Photography in Chattanooga).

I was instantly drawn to Donna's Soddy Daisy charm and personality.

I visited her school on several occasions and witnessed the miracle of Read Aloud Chattanooga, a nonprofit group that promotes reading and learning among elementary school children.  During one of my visits, I told Donna about Project Keepsake.  She paused, then said, "Well, I have a keepsake story for you."

And then Donna eagerly told me the story behind a violin that she keeps in a glass case at her home. Like so many keepsakes, Donna's violin—or fiddle, as she calls it—connects her to memories of her father and her grandfather. She looks at the violin every day on her way out the door, and she remembers them.

I'm grateful that I met Donna Sutton, and I'm delighted that her story is in the book. 

Grandaddy could make the fiddle sing. He played it to entertain himself, family members, and friends. When I close my eyes, I can see him stroking the strings of his fiddle with his bow, and I can hear its music in my mind.

"On Saturday nights, he’d say, ‘Let’s go to the neighbor’s house and make music,’” Daddy remembered. “He’d play Under the Double Eagle and I’ll Fly Away. He loved to play country and gospel music.” —Donna Sutton